![]() is a Lakota Sioux from … North Dakota, who sees this lady and decides to cross over and help her. "One of them is a homeless Black lady who lives in a cardboard box somewhere, with a. "There are two characters towards the end of this little bit of this song, and they’re two women," he said. He also detailed the lyrics from the short segment he played live. And you can exchange opinions with strangers and friends with no fear or favor, and it’s somewhere where you are welcome and where you can exchange your love for your fellow man without fear whatsoever." In my head, it’s a place where you can go maybe have a drink, certainly meet your friends, and hopefully meet strangers as well. "The bar is a place in my head, an imaginary place, but it’s also a real place," he said. 10 show in Columbus, Ohio, Waters introduced "The Bar" by explaining the song’s title scenery. Hear Roger Waters Play a Portion of 'The Bar' Live in Pittsburghĭuring his Aug. (So far, it’s appeared during a block of solo cuts in the first set, with a reprise appearing late in the second, between "Two Suns in the Sunset" and "Outside the Wall.") While Waters hasn’t discussed the song much in interviews, he’s made it a staple of This Is Not a Drill - performing it at every show since the July 6 launch at Pittsburgh’s PPG Paints Arena. "Does everybody in the bar feel shame? / Lord knows I do," he sings on "The Bar." "I guess we all feel pretty much the same / Kind of worn out by this crazy fucking zoo."įour months after playing that lengthy, stripped-down take, Waters appeared on the YouTube show Live on the Fly With Randy Credico, which introduced an "excerpt" of a recorded version, here fleshed out with drums and a mellotron-styled keys. "I’m going to sing a song and play the piano at the same time - something that admit I’ve never, ever done in my life in public before," Waters says, introducing the lengthy piece. And Waters technically performed it live even before This Is Not a Drill, presenting a keys-and-vocal version during an October 2021 event supporting imprisoned WikiLeaks founder Julian Assange. The cut, which recalls the gentler moments from The Wall and The Final Cut, emerged during the early COVID-19 lockdown period.
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